Betty by Georges Simenon
Belgian fiction
Original title -Betty
Translator – Ros Schwarz
Source – Library book
I mentioned the other day, in a post from Karen, that there is a group of writers you can nearly always rely on for the club year: Agatha Christie, P. G. Wodehouse, and Georges Simenon. In Simenon’s case, there are often two or three books every year. That was the case for 1961, and I had a quick look at the library system and saw they had Betty. I am more a fan of his Roman Durs, his hard novels, as they are called. I love Maigret, but the psychological depth of these harder novels and their characters often jump off the page. So picked this as my 1961 choice for Simenon. Betty is an unusual tale; it is about how life sometimes takes odd twists and turns.
It wasn’t her drinking that was causing offence. The proof was that the owner himself had called Joseph the first time, and others were drinking as much if not more than her. A young woman with mousey hair on the corner of a banquette was deathly pale, her head lolling back, and her companion, who was holding her hand romantically, did not appear to be paying any attention to her.
What would happen if Betty began to shout? She was tempted to do so, to find out, to stir things up, so that someone would take notice of her, not just stare at her.
Betty is fallen into a bottle early on in the film
Betty is a woman on a bender. She has divorced her husband, who was a na from. another class when they married, and her daughters as well. She is on the verge of oblivion, falling into the bottle and not finding her way back out. But then she is saved by a mysterious woman named Laure and taken to a small hotel in the countryside. She manages to recover, and as we start to discover more about Betty’s life. She was a working-class girl who met a man from an upper-class French family, and they married. But as we find out more, Betty is a drinker and takes lovers, so her husband and his family make her sign a divorce and lose rights to her daughters. Laure, a drinker as well, had escaped a marriage to her surgeon-husband and has a lover, Mario, who owns a restaurant. But what happens when she discovers that Betty isn’t the woman she first thought she was? This explains the million francs she had in her purse and why she is now looking at Mario. This is about class, drinking, and females being more promiscuous. This was the start of the seventies. It is also about how things can seem very different; Betty and Laure’s views have changed over the course of the book.
The room she was in hadn’t been aired for several days and it smelled fusty. Not the bland fustiness of a town, but the damp-hay smell of the countryside. When, a little earlier, the concierge and the porter had wanted to turn the lights on, the dark-haired woman had said:
‘No! She mustn’t have too much light. Leave me alone with her. Just open the communicating door into my room.” The men’s footsteps had faded away. Betty was lying on a bed, on top of the covers. The woman had gone off into the adjoining room where, from the noises she made, it sounded as if she was making herself comfortable. Was she afraid that Betty might throw up over her dress or tear it, clutching on to her?
Betty as she is taken to the Hotel by Laure
I was thinking as I read this book it would make a great film as it feels like a film script, almost it has a pacing that would suit a film as things slowly become clearer over the course of book as the views of the two female characrters shifgt as we discover more about Betty a woman that seems feted she say but is she or more a victiim of her own problems that at first seem in the book. It was made into a film in 1992 by Claude Chabrol, a director whose films I have seen over the years I had a quick look, and it doesn’t seem to be on a streaming service but has been on a dvd box set at one time so maybe if there is a new box set or I see the old one I may watch the film. It is a book about the little things that happen over time. It is a slow-burning account of Betty’s life told in pieces, and as we learn more, the situation between the two women changes. I’m pleased I picked this as I may not have got to it quickly, as I tend to pick Simenon books as I see them at the moment, second hand or when there are a few for a year like this. Do you have a favourite Roman Durs by Him?














