Where the Wind Calls Home by Samar Yazbek
Syrian fiction
Original title – مـقـام الـريـح، روايـة
TRansltor Leri Price
Source – Personal copy
I recently purchased some books directly from World Editions as they have a new bookstore on the website. I picked this as Samar Yazbek has been on a list of writers I want to read for a while. I do have Planet of Clay somewhere, and she also recently published a book of interviews she conducted with survivors from Gaza. Samar Yazbek was also in the collection of writers from around the Arabic world that came out in 2010, Beirut 39, with writers born after 1970 in the collection that at that time were under 39. was the second of three such books Hay Festival has done around writers from around the world. These books are worth looking up, even if it’s just the wiki page, as it is a rich list of the best of modern Arabic literature for the last ten years. I will always point people to The Arabist web page, the Arab lit blog site, their magazine, the Arablit Quarterly, and their podcast, Bulaq.
Just a small leaf. He couldn’t see it through his tangled lashes, beneath the midday sun.
A leaf, nothing more. Lobed and green, it appeared in front of his eyes like a curtain each time he slowly and laboriously moved his eyelids. A leaf brushing his long, mud-spattered lashes. A leaf only vaguely visible through the soft grains of soil swimming in the water of his eyes, chafing and burning.
If he opened his eyelids again, the leaf would fall into his left eye. That leaf was the entire world. No sound, no smell. He couldn’t feel his other eye. Was he still alive? Did he have a body? If so, where was it?
His sense of existence extended no further than the narrow strip of faint light hidden behind these black lines—he didn’t care whether they were his eyelashes or his nightmares, in any case the darkness would soon settle within once more. He was slowly falling into some deep and unknown place.
His gravity was negated and he could feel his head swinging—perhaps he was falling into a grave. Was this his funeral? Was this his head?
The opening as Ali is in a srt of fever dream as his lif ebbs away
The book is a sort of fever dream set in a small mountain village, as we see a young soldier, Ali, who has been hit by his own side in a crossfire as a bomb was dropped by him. He has fallen into a crater and there is a tree the tree sparks memories as we see him fighting out to grab the tree a tree he has known all his life in the present and also at the same time we see events from his life and the village he has grown up in. from hte death of one of his brothers seeing how that impacted his mother and family and how maybe his own death will do the same. From a time he got involved with a wealthy local and saw the contrast wealth can bring to people’s lives, and the poverty of his own home life and his parents’ struggle. The book is like a fever dream of a man dying in a way; is this just seconds or minutes of Ali and his life we are glimpsing in these vignettes?
His mother collapsed, then stood up again, gazing all the while at the coffin being carried on the shoulders of the village’s youth. She pleaded desperately for a final look at her son to bid him goodbye but the men, aghast, merely uttered, “Astaghfirullah,” shook their heads, and ignored her. As for the women, they patted her shoulder as they let out their ulula-tions and wails. His sister, the widow, who had walked the same path for her husband a month earlier and was not yet twenty-five years old, held a picture of her brother in one hand and her baby in the other. She walked with a firm, deliberate tread beside her younger sister. The family had congregated among the people behind the bier of the oldest brother and, upon finding themselves lost to each other within the crowd, began turning around in fear-Ali too. For an instant he forgot he was watching his brother’s coffin, he utterly forgot his surroundings. He forgot his brother’s face and the weeping eyes all around
His brother had died as well he remembers this as he struggles
I loved the way this book was probably originally written and translated with a third-person voice, or most Ali watching, or even a ghost watching the young man grapple with his life to the tree he knew so well from hiding in it as a child. The book captures a world of poverty and people struggling to get by, and the mindlessness of the war he is caught up in. Samar is well known for her championing of human rights within her own country and in the wider Arab world, having walked the length of Europe as part of a protest about the situation in her homeland. Ali is a boy caught up in the times he lives in, the child of parents who had already lost a child. A boy who grew up hiding in the tree he will probably die in. If you want a book that drags you into the violent world of Syria a few years ago, this is it: a country ripping itself apart with civil wars, widespread poverty, and a sheer loss of hope that comes through in the book at times. Where do you discover new writers or uncover new gems to read?




