Nothing belongs to you by Nathacha Appanah
Mauritian fiction
Original title – Rien ne t’appartient
Translator Jeffrey Zuckerman
Source – Review copy
It took years between her first book I read and her the last Brother, which I reviewed on this blog. The Last Brother 13 years ago, I’ve read another of the two books that have come out since by her,, but this is her latest and is with a new translator. Jeffrey Zuckerman has taken over for this book, the last but one novel to come out in French. Like her other books, she is very good at mixing childhood with the present. Also, a theme I have seen in the other novels I have read from Mauritius is a class divide, and the main character in this book is someone who has seen both sides of the divide as a kid and then as an adult. We meet Tara in the present but see how her life has twists and turns.
My heart aches again. I should start by clearing the sofa, arranging the cushions, tossing a tartan rug over it, that’ll be the first thing Eli sees, sentimental man that he is, inclined to believe that belongings gain a mysterious, almost human, aura in how they enter our possession, over the years or in connection to some particular moment. He’s attached to things, a dried leaf, a pebble, an old toy, a yellowing book, a faded T-shirt, a broken wooden necklace that belonged to his mother, this sofa. It was on this sofa that his father died three months ago, and I can still smell it there, his scent, trapped in the cushions fibres. It’s not really the scent he had when he was alive but something that remains of him, that tugs at my heart, that brings me back to his absence and everything that’s fallen apart since his death. Notes of vetiver, a touch of lemon, but also a trace of something powdery, slightly rancid.
Her flat is in disarray
The book follows our Narrator, Tara. She is at a low point in her life. Her husband Emmanuel has died, and her world has fallen apart. Her Parisian Is she going mad? Is she losing it? Her kids are worried about her. She is raising a small boy, and this, as she sees him around the house and area, unlocks the past for her. She had a different name. She was called Vijaya and had a privileged childhood with her parents. They were outspoken, and when disaster struck them, she left the young girl in an orphanage and faced a different future than the one she was expecting. The young girl became the woman Tara, and the past is a way for her to change the present. Like most of her books, she deals with death, class, and also memories so well. Also, the dark past of her country shadowed the life of these two characters, who are the same girl/woman. The lost dream of her youth when her parents and now the loss of her husband bring back the past and her struggle after her parent’s death.
When we went into the village, my father didn’t let go of my hand. All eyes followed us, the rich atheists from the huge house, the girl who danced but didn’t go to school, the man who went on the radio and even IV to say that all this coun try’s inhabitants were the same, that every soul should have the freedom to pray to the god he wanted to or not to believe in just one god, that the leaders were idiots, the man who spoke several languages in the same sentence, the husband of the sorceress. Those glares became a swell behind our back.
As the years went by and the swell grew, I had the feeling that it was hissing at us, berating us. At those moments I couldn’t get back to the house soon enough to find my mother, Aya, the school in the alcove, the evenings listening to music and playing cards. I started wishing I wouldn’t grow up, wouldn’t understand, would stay as I was: Vijaya in the grown-ups shadow.
Remembering her parents and when she wasn’t called Tara but Vijaya a rich girl.
I love her writing it always uses childhood and memories so well. Also, the past is another theme in her books and also her homeland and its highs and lows, the slums, and the high-class world that lives alongside one another.It is one woman’s painful life at the two lowest points in it and how the heart can be broken and rebuilt but at what cost. Loss of parents then the loss of her opartner but the small boy makes he rember how she got past the pain in the past . But also she has held bqack all the sorrow over time and that is shown at the start of the book. Where we see a woman faling apart after the loss of Emmanuel she has stop caring and her flat is in total disarry as her son tries in vain to help her out f the maze of grief it takes a boy and memories to see her change. Like her other novels she seems to pack a lot into a small book this is under two hundred [ages and is one of those books that feels like an epic novel after you have read it.
Winstons score -A One of the best french language writers around.



