Month: October 2026

The Besieged City by Clarice Lispector

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The Besieged City by Clarice Lispector

Brazilan fiction

Original title – A Cidade Sitiada

Translator – Johnny Lorenz

Source – Personal copy

I’ve read three Lispector books and have reviewed two of them over the years. I’m not in a rush to read all her books; most of them are on my TBR. So when this one was a book, I could read it for this week’s 1949 club. I picked it up; she wrote it not long after she got married, in Europe, in Bern, where Lispector struggled with the city and the change from the cities in Brazil. Also, she suffered from depression and isolation at this time and struggled to write this book. She later said it was the hardest book she had ever written. The style is different from the other books by her I have read.

The late night would find them motionless in the dark. Stable and weightless. There they were, invisible, breathing. Waiting with brief intelligence. Below, in the sleeping township, a rooster was flying and perching on the ledge of a window. The hens were watching. Beyond the railroad a rat ready to flee.

Then the dapple-gray stomped its foot. Nobody had a mouth to speak with but one would give a small signal that would sound off from space to space in the darkness. They were peering out. Those animals that had one eye for seeing on each side—nothing was seen straight on, and that was the night of Sao Geraldo, the flanks of a horse quivering in a quick contraction. In the first silences a mare would open wide her eyes as if surrounded by eternity. The most restless colt was still raising its mane in a deaf neigh. Finally silence would reign.

The horses and the small place that Sao Geraldo started as !

The book follows two characters: Lucrécia Neves, a girl in her twenties who loves horses but is at an age when people think she should settle down. The book follows her and the men in her life: three men pursuing her, Felipe, a soldier; Perseu, a quiet student and a sensitive soul. Then she finally settles down with Doctor Matheus. Because each of the three men is a different kind of man. The book shows how they try to get her attention. Lucrécia is not a beauty, but she has these three men, each in their own way, drawn to her. This may be her working through her own love. Life, as I said, has two characters. The second character is São Gerardo, which, when the book opens, is a small township with horses wandering around, and as the book moves on, it becomes a boom city. This is how the book works: the two affect each other; as the city grows, we see how it almost hollows out Lucrécia’s soul. As the modern world creeps in on them.  She has many struggles living in Europe; I feel the city becomes a trap for her.

Soon she was veering off a bit, dreaming of walking alone with a dog and being seen on the hill: like the postcard of a city. Lucrécia Neves needed countless things: a checkered skirt and a little hat of the same material; for a long time now shed been needing to feel how others would see her in a checkered skirt and hat, a belt right on her hips and a flower in the belt: dressed like that shed look at the township and it would be transformed. With a dog. That’s how you composed a vision.

The girl didn’t have any imagination but a watchful reality of things that was making her almost sleepwalk; she was needing things in order for them to exist.

She is an odd character in many ways !

I must admit I often struggle with the imagery in her novels. I will go back when I have read them all and reread them. But for me, this is a woman dying on the inside after maybe making the wrong choice in a man.  This came not long after her own marriage; is she reflecting on her own life? Then there is the place: São Gerardo; like many places in this century, a small township, a rural place almost becoming a city; there is imagery of the horse once running wild, now gone. She hated the clean style of the Swiss cities compared to the wildness of her home. This book falls between the other two I have read from the debut’s stream of consciousness; it is a harsh, stark book about a place growing, and, as it does, a woman’s insides falling out of a woman who becomes empty really . Whereas the later book has a more internal narrator’s voice. Have you read Lispector ? Do you have a favourite book by her? Have you read this book did you struggle with it ?

 

Time of Hope by C P Snow

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Time of Hope by C. P. Snow

Engish fiction

Source  – Personal copy

I mentioned that I was reading a book by a writer who isn’t that well known these days.  Lord Snow was well regarded in his day, with his main body of fiction being the eleven-book Stranger and Brothers series. This book was the third in the series to be published, but in the series’s later reading order, it is the first to read.  The series was adapted into a BBC TV show in the early 1980s, and he was longlisted for the Booker. But he is a writer who is in that void between being forgotten and rediscovered. Part of me feels he may be rediscovered at some point, as his book Two Cultures grappled with the breakdown between Science and the humanities, and he had a foot in both camps as a writer and, by day, a chemist. This is my third book for this week’s 1949 club !

Aunt Milly even spared my mother any exhortation when she agreed to find my fees. She saved that for me an hour or two later. She was never worried about repeating herself, and so she gave me the same warning as on the afternoon of my father’s bankruptcy, three years before. I was not to expect success. It was likely that I should have a most undistinguished career at this new school.

‘You’ve got too good an opinion of yourself, said Aunt Milly firmly and enthusiastically, with her usual lack of facial expression. ‘I don’t blame you for it altogether. It’s your mother’s fault for letting you think you’re something out of the or-dinary. No wonder you’re getting too big for your boots’

Another great Aunt from the 1920s

This book is the first in the stranger and brother series where as the other book I had read from the series was abpout a group of people in a woirk place this book is about one man. Lewis Elliot; he is from the lower middle class. The book shows what happens when the fortune the mother feels they may be getting is suddenly wiped out by the father going bankrupt, and how they have to fall back into a more frugal lifestyle, and how this affects the young Lewis, but as he meets George Passant, a solicitor, he sets his sights on the law. He gets a windfall from the death of his Aunt Milly. I liked her after just reading Wodehouse; here was another aunt who liked to put her fingers in her family’s pies and had opinions. But she left the young man enough to get on in the law, and he aims to be a barrister; this takes him from his West Midlands home to London . Along the way, he meets a young woman, Sheila. Now she is a character that, in a way, seems more modern than the time it was written: a girl with mood swings, and one that is maybe is Lewis looks at more closely, is more trouble for him, but he can’t see that, and she helps him as he studies. This relationship is odd; she isn’t that in love with him, but he wants to settle down and marry her. This is the intro to Lewis, and he appears in the rest of the series.

Autumn came, and I was restless, full of ex-pectation. The School reopened. In the bright September nights I walked down the Newarke to George Passant’s classes, full of a kind of new-year elation and resolve. Going back to my lodgings under the misty autumn moon, I wondered about the group that Passant was collecting round him. They were all students at the School, some of whom I knew by name; young women who attended an occasional class, one or two youths who were studying full-time for an external London degree. They gathered round him at the end of the evening, and moved noisily back into the town.

The toehr main figure in the book series George Passant AND lei=wis paths cross in this book!

This and the second book in the series set up the two main characters: Lewis Elliot and George Passant.  What follows is their post-studies life. The book ends with Lewis getting married and starting his career. But already, choosing the moody, unstable Shelia is holding him back. We also learn a bit about George, the main character in the second book in the series; the rest of the book follows them through their careers. The book was the third, but many readers see it as the first to read in the series, as it fills in Lewis’s childhood and coming-of-age. It shows how hope and work can change things. The book offers a realistic look at one man’s path to the bar and marriage; later books show how this has a knock-on effect. Have you heard of C. P. Snow or this series? This series deserves rediscovery, as it captures the period from post-World War I through World War II and into the 1950s through a group of people in the upper echelons of English politics and business.

The Hatter’s Ghost by Georges Simenon

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The Hatter’s Ghost by Georges Simenon

Belgian fiction

Original title: Les fantômes du chapelier

Translator: Howard Curtis

Source: Personal copy

Yesterday I said there are a number of writers like Wodehouse, you know, who may have written a book each year; another is Georges Simenon, since he wrote so many books. I think I once said I heard his publisher in Belgium isn’t sure, since he wrote so many books under different names and with different publishers.  He was prolific this year; for example, I could have picked three Maigret novels and three of his Roman D’ur, and this is one, so you could have spent nearly a whole week with his books in 1949.  For me, this is perfect, since it is another book set in a small town. A lot of his Roman Durs seem to be set in small towns or suburbs.

He had waded through puddles and his feet were wet, his features hardened by the cold. He was again walking like a normal person. He passed Rue du Minage, his own street.
He was almost at his destination. He couldn’t hear any footsteps, but he knew all the same that someone was walking behind him, catching up with him. He still didn’t dare run or stop. A taller, broader figure than he was loomed up on his left and fell into step with him, and a strangely calm voice said:
‘You’d be making a big mistake, Kachoudas.’ He didn’t turn to look at his companion. He didn’t say anything in reply. He didn’t immediately change direction.
He was alone. He could see the red lantern, a policeman coming out of the station and getting on his bicycle.
He turned. Ignoring him now, Monsieur Labbé had done an about-turn and was walking, with his hands in his pockets and his coat collar raised, in the direction of Rue du Minage, their street.

The rain filled town and our narrator

The narrator is the local hatter in the small town of Rochelle Monsieur Labbe. We find that over the last few weeks there has been the killing of five elderly women in the town, and since then it has been raining, adding to the sense of dark foreboding among the locals. We see small-town life focusing on a group of men who meet, chat, and play cards.  One of them is the murderer. Another has almost, by mistake, put the pieces together, and a chance moment means that the local tailor, Kachouda, a quiet, unassuming fellow, has found out who the killer is.  The book follows what happens next and how it starts to fray the killer’s edges. As a cat-and-mouse story, it comes out in the rain before there are more killings or the tailor is killed himself.  Two men, very different in character, and the one that should be the killer, the quiet, unassuming one, isn’t

As for him, they had probably forgotten he was a mus-ician. He hadn’t played for at least twenty years, and the cello itself was in the attic. To get to the attic, you had to leave the house, enter the dead-end alley and take the stairs to the second floor. That was what he had done: he hadn’t been so incautious as to buy a cello string from the instrument maker in Rue du Palais. Especially as that was the only one in the town. And the hatter hadn’t been outside La Rochelle in fifteen years, not even to go to Rochefort, fifteen years during which he hadn’t once slept anywhere but in his own bed.

A little more of the backstory to our narrator

I love Simenon Roman Durs’ books; they offer a great examination of the human soul and the morals of nations and individuals.  Here we have two men and a secret that comes out: one of them is the killer.  What I love is how Simenon twists who the killer is: not the quiet, unassuming character it often seems to be; no, it is the outgoing, well-liked one. I was reminded of the French film Le Boucher, where the local butcher, a well-liked man, is the killer. In fact, I checked, and the director of that film, Claude Chabrol, also made a film adaptation of this very book a number of years later. He also shows how the two men who run shops next to each other are viewed, and how the story twists as one discovers the other is the serial killer, all from the killer’s perspective. It’s a mind-unwinding that reminded me of books like Blaugast, where we see a man’s mind fall apart as we read. If you like a dark, twisty book from a killer’s perspective, this is the book for you.  Do you have a favourite from Simenon’s Roman Durs, his hard novels?

 

The Mating Season by P G Wodehouse

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The Mating Season by P G. Wodehouse

English comic fiction

Source – Personal copy

As many of you know, I love the biannual Year Club Simon and Karen have run on their blogs for years. It means I do something I love: look at lists of books and writers, and come up with the lists for each year. But for me, there are a few writers you can often find books from, and P. G. Wodehouse is one of them. He wrote 99 novels and story collections; this Everyman copy says they are all available from Everyman.  This novel is from his most famous creations, Jeeves and Wooster.  This was also one of the novels adapted into an episode of the TV series Jeeves and Wooster.

Well, he seemed to hint, unless I misunderstood him, that the above Haddock hadn’t, as it were, done right by our Nell.

According to Catsmeat, you and this modern Casanova were at one time holding hands, but after flitting and sipping for a while he cast you aside like a worn-out glove and attached himself to Gertrude Winkworth. Quite incorrect, probably. I expect he got the whole story muddled up?

She came clean. I suppose a girl who has been going about for some weeks as sore as a gumboil, and with the heart cracked in two places gets to feel that maidenly pride is all very well but that what eases the soul is confession. And, of course, making me her confidant was not like spilling the inside stuff to a stranger. No doubt the thought crossed her mind that we had attended the same dancing class, and it may be that a vision of the child Wooster in a Little Lord Fauntleroy suit and pimples rose before her eyes.

No, he didn’t get the story muddled up. We were holding hands. But Esmond didn’t cast me aside like a worn-out glove, I cast him aside like a worn-out glove. I told him I wouldn’t have any more to do with him unless he asserted himself and stopped crawling to those aunts of his?’

The Aunts always make me smile in Wodehose

Where to start with this tale? As with any Bertie story, it starts with two threads that end up connected. His Aunt Agatha pushes Bertie to travel to Devrill Hall to meet Gertrude, a single girl she’s heard about through Gertie’s aunt. So he is expected. But when he is due to go, he meets up with his newt-loving friend Gussie Fink-Nottle, whom he is supposed to see the godmother of his fiancée, Madeline, but she has been called away. But then, after a night at the drone club, Gussie ends up in court.  Bertie volunteers to be Gussie for the weekend, and they soon discover they are due to see the same person. So when Bertie arrives as Gussie to get the nod from Dame Winkworth and Madeline’s other four aunts.HE is surprised when, a little later, Gussie appears pretending to be Bertie with Jeeves. Add to this, they found out at the Drones from another drone, Catmaca, that he wants Gussie’s hand but got a no from the chorus of aunts.  Add all this, and you get a classic series of events involving Bertie as he blunders through, and as ever, Jeeves is there to save the day.

Well, I did get there before midnight, of course, but I was dashed late, all the same. As might have been expected on a day like this, the two-seater, usually as reliable as an Arab steed, developed some sort of pox or sickness half-way through the journey, with the result that the time schedule was shot to pieces and it was getting on for eight when I turned in at the main gates. A quick burst up the drive enabled me to punch the front-door bell at about twenty to. I remember once when he and I arrived at a country house where the going threatened to be sticky, Jeeves, as we alighted, murmured in my ear the words

‘Childe Roland to the Dark Tower came, sir, and at the time I could make nothing of the crack. Subsequent inquiry, however, revealed that this Roland was one of those knights of the Middle Ages who spent their time wandering to and fro, and that on fetching up one evening at a dump known as the Dark Tower he had scratched the chin a bit dubiously, not liking the look of things.

Bertie arrives later and that sets it all off

I always love a few hours in the world of Jeeves and Wooster, those days of house parties, aunts controlling families, and who saw who; it captures upper-class England in the interwar years.  With its many twists and turns, disaster seems to lurk around the corner, as people keep appearing, but not as themselves. Add to that the collection of mad names we have: GUSSIE AND HIS newts, Catsmeat that actor. Gertie, as Bertie points out, if they got together, they’d be Bertie and Gertie! More aunts than normal, Agatha, as ever, hoping to see her nephew Bertie settle down once and for all. Then the chorus of aunts, five in all, at Deverill Hall. Add to this, they all have to perform whilst at the hall: who will end up with whom, when the deception will fall apart, and that they know Bertie isn’t Gussie, and Gussie isn’t BERTIE. As ever, Jeeves saves the day with his knowledge of everything going on and the various connections and loves among those involved. I always laugh at his books; they feel like a bygone age, and he always makes it work out, no matter how twisted it sounds to us, readers.  My first book for Club 1949. Do you have a favourite Wodehouse book?

 

Surface by Olivier Norek

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Surface by Olivier Norek

French crime fiction

Original title: Surface

Translator: Nick Caistor

Source – Review copy

I don’t read many crime novels, but one crime motif I like is the fish-out-of-water. I love crime TV shows but don’t read many crime novels. Oliver Norek is one of France’s biggest Crime writers. He also has an interesting backstory: he was initially a humanitarian worker in Yugoslavia before becoming a police officer, so much of the book’s police procedural comes from his time in the force. His other books have been adapted into films, and this book, published in France seven years ago, is now a TV series that will air on the BBC at some point in the UK. I’m not sure which TV stations elsewhere will be showing this show.

“What about the eye?”

“Subconjunctival haemorrhaging stemmed. She’ll have peri-orbital bruising for several weeks. A black eye filled with blood, but nothing crucial as regards visioniẠạ

“Nose?”

“Broken by the blast. Operated.”

“Jaw?”

“Fracture of the ascending ramus of right mandible. We had to screw in three steel plates. There’s no way she’ll be able to speak any time soon. Fed intravenously for eight to ten days, then blended food and iced water for three weeksẠạ

“She certainly had a lucky escape.”

“Yes. Five centimetres to the left and her whole face would have been blown off. Even so, it’s not a pretty sight. In addition to the 60 stitches to restore her right cheek, every pellet will leave its mark. Well, anyway, the surgery has been a successful

The true nature of the horrific injury she has got

This book has a number of threads; the first is the main character’s story. Noémie is one of those police officers who, at the start of the book, seems to have it all. A job in a drugs team in Paris a loving boyfriend and is on the up. Then, on the flick of a coin, one raid goes wrong, and she is shot in the face and is left with a horrendous scar. This is the book’s turning point. Weeks later, when she feels well enough to return to work, she finds she is being sidelined because of how she looks. She is being sent to Aveyron a rural area mnorth west of Paris.  She is instructed to assess the local force, as it is about to be disbanded and the area handed over to the Gendarmerie.  Show that when she arrives, she is the outsider. But when a dead body appears in a local lake, it links back to a long-dead cold case involving the building of a local dam; her colleagues may know more, one of whom is the son of the powerful local mayor. Added to this are the chats between Noémie and her therapist as she copes with both how she looks, the loss of her job at Pairs Partner that left her after the injury and all that the new job brings.

Viviez-Decazeville railway station

The Aveyron

Only two other people got off. After seven hours, Noémie finally left the local train that had taken a thousand detours to stop at villages whose names she had never heard of and which she would probably never remember. The fact is that between Laroque-Bouillac, Boisse-Penchot and Lacapelle-Marival, you needed a good memory or to have broken down there.

No more Parisian skyscrapers: now there were woods and fields dotted with farmhouses. No more wide avenues, instead winding roads sometimes turning into dirt tracks that led to isolated houses.

Straw bales, tractors, horses. Paris had definitively disappeared.

And yet the stop at Viviez-Decazeville did not have the bucolic appearance of the previous halts.

The new job is really in the stick so to speak!

I like how this book flowed.  For me, a crime book has to draw you in, and this does. But it also has layers: Noémie coping with what happened and its aftermath.  The locals’ secret, buried and three dead children, stir up the past in a rural community.  Then the sheer horror of losing everything is cpatured in the conversations between Noémie and her therapist. This also highlights how the French police is organised into two divisions: the Police and the Gendarmerie.  This is what happens here, with the local police force eventually being handed over to the Gendarmerie. As I say, I like the fish-out-of-water style of crime story, from The Big Sleep to Poirot on the Orient Express or Marple in novels like Caribean story.  To TV series like Death in Paradise. This book feels like it would work as a TV drama, with a strong main character and an interesting backstory. The locals with their secrets, then a cold case, all make for skeletons in the cupboard.Do you have a favourite type of crime novel, and have you read any other books from Norek?

 

 

Nobel literature prize winner for 2026 is Anne Carson

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We’ve just seen the Nobel Literature prize winnner is the Canadian poet, writer and translator Anne Carson. I have yet to read her I have her best known work Nox. She was running High in the betting for the prize this year. I like that a translator has won. I would love to know where to start with her works and which of her translations you’d sugggest.

Anne Patricia Carson

Anne Carson was born in Canada and teaches ancient Greek for a living. Her many books of poetry and translation include Antigonick, Autobiography of Red, The Beauty of the Husband, Glass, Irony and God, Norma Jeane Baker of Troy, Nox, and Wrong Norma (winner of the National Book Critics Circle Award for Poetry). from her New Directions bio

 

House of Day , House of Night by Olga Tokarczuk

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House of Day, House of Night

Polish fiction

Original title – Dom dzienny, dom nocny

Translator – Antonia Lloyd-Jones

Source = Subscription book

Well, with the Nobel due tomorrow. I happened to read this book recently; it is an earlier book from the Polish Nobel winner Olga Tokarczuk. Fitzcarraldo recently reissued it. I have had a mixed relationship with her books. I was looking forward to The Book of Jacob, but I struggled to get through it and felt it would take a rereading to fully understand. I loved Flights when I read it, and I also loved Drive Your Plough Over the Bones of the Dead. For me, this novel, which came before both of those books, is a little bit style-wise like Flights, as Olga calls her constellation novels, which is a similar style she uses for Flights, but it also feels familiar in place to the setting of Drive Your Plough Over the Bones of the Dead.

Between twelve and one a nice woman’s voice reads a serialized novel. It’s impossible not to listen to it; we all have to listen to every single novel because it’s on when we’re preparing dinner, when we’re peeling potatoes or making pierogi. Throughout April it was Anna Karenina.

He loves another woman, that is clearer still,” she said to herself as she entered her own room. “I want love, and it is lacking. So everything is finished! And it must be finished. But how?” she asked herself, and sat down in the armchair before the looking glass.’

Sometimes Marta comes over at noon and automatically starts helping with something, such as dicing the carrots.

She listens quietly and solemnly, but she never says anything – about Anna Karenina or any other novel we’ve heard read on the radio.

I loved the thought of local radio reading Tolstoy

I said this is like Drive Your Plough, as it is set in the remote Polish countryside; this time it is a village, and those who do live there form a chorus of voices telling the village’s story. We see the place Olga actually lives in: a village at the crossroads of Poland, Czechia, and Germany. The book sees all these nationalities in the village. Our narrator carries the narrative; she has just moved to the village of Nowa Ruda in the Silesia area of Poland. Her neighbour Marta is one of the women who have shaped the village, and through her we hear the village’s stories retold.  From the local drunk to folktales about deaths from mushrooms, to a dead boy straddling the border. A cacophony of tales builds a rich place scarred by the various countries that have ruled the village over the centuries.

THE GERMANS

Early this summer the Germans began to appear in the meadows. Their grizzled heads came floating by on a sea of grass, and their wire-rimmed glasses glittered gaily in the sunshine. So-and-So said that you can recognize Germans by their shoes, which are clean and white.

We don’t take care of our shoes, we don’t respect them, they’re clunky and always made of dark leather, or else we wear gumboots, rubber farm boots, into which Stasek Bachleda flicks the ash from his cigarette. Our shoes are made of PVC, garish black-and-white counterfeits of popular brands. They’re permanently muddy because of the sodden red earth, and misshapen from being repeatedly frozen and dried out again.

I smiled at her description of the Germans

As I said, as one of her earliest novels, this may show what followed in her other novels.  The constellation style of novel, as she calls it, shows how she used it in Flights to Much Effect.  Then the village setting.  She used it in Drive You Plough.  Anyone who has read this blog for any time knows I love a book set in a village; it has the whole world in a small place.  From death to birth.  From saints to Transvestite monks, all the world is here. I was reminded of stones in a landslide; as many of you know, one of my all-time favourites: the variety you can see in a small village, but also, at points, the way the voices were almost a chorus reminded me of the Irish novel Cré na cille, the way it captures the voices of the villagers, live and dead. I’m not sure if she had read or was aware of these other books, but it may show how villages can be similar; whether in the mountains of Spain or the middle of Ireland, there are stories, secrets, and all of life there with those living there.  Maybe this is the best place to start with Tokarczuk if you’re new to her, since it foreshadows her later work; especially, you can see the draw of the history that must have fueled her to write The Book of Jacob. Have you read this book, and who do you think will win the Nobel Prize in Literature tomorrow?

 

September 2026 round up

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  1. Love by Peter Nadas 
  2. A Parish Chronicle by Halldór Laxness
  3. The Revolt of the Animals by Władysław Reymont
  4. Helping the Verbs of the Heart by Peter Esterházy
  5. Mending Bodies by Hon Lai Chu

I had a really quiet month on the blog. This is for two reasons: I am still off work with Anxiety and have lost a routine.  But that will come back as I start back at work next week.  But the main reason is Amanda, and I spent eleven days this month on a road trip around Scotland. As for reviews, I managed to review two of the giants of Hungarian Literature this month and then two Nobel winners. Then finished it off with a wonderful book from Hong Kong.

Book of the Month

I could have picked any of the books I reviewed this month, as they were all great reads. But for me, this book was complex, inventive and dealt with how we deal with death not just the normal parts we talk about, but things like Guilt and disappointments as well.

None book events this month.

I have included a few pictures from our time in Scotland: a view by the houseboat we stayed on, Leaky’s Bookshop, and a falls where I saw a salmon leap. Loch Ness, Skye, and the view from our hotel with a view to Skye. Then, a few days after we got home, we booked the Flying Scotsman from Chesterfield to York.  It was amazing how many people were by the railside as we passed, taking pictures. A once-in-a-lifetime experience on what is maybe the most famous train in the UK.  I’d add more, but Amanda wants to make a huge scrapbook of this trip; she saved receipts and took pictures of everything along the way.  As for what I watched this month, I have started rewatching True Detective and Babylon Five.  Since I got home, I’ve mainly been listening to the huge 12-disc collection of live recordings from Joy Division that just came out. They have cleaned up the live recordings as best they can; it shows the true clarity of Ian’s voice and how good they were as a band live.

Next month

I have slacked off this last couple of months, blog-wise.  But autumn is here; I tend to read more in the evenings, and I am back at work, so my blogging routine should return. AS for books, as you may know by now, I never plan too far ahead.  I have the books ready for Simon and Karen’s 1949 club. I actually picked two of the books up on the day we were in York with the Flying Scotsman.

What are your plans this month?