Wildcat Dome by Yuko Tsushima
Japanese fiction
Original title – ヤマネコ・ドーム
Translator – Lisa Hofmann -Kuroda
Source – review copy
I have meant to review another book by this writer, who is the daughter of Dazai Osamu and uses a pen name for her books. Her half sister is also a writer and a number of her other family members have been ninvolved in Japanese goverment this book came out later in her writing Career but also linked to the present of the Fukushima Nuclear disaster and also events in the war are all interlinking into this story one that sopans the decades and also crosses reality at times. I must admit that this is a book that lingers with you as a reader, but also requires a closer reading than I did. But i will giver you my take on the book.
Kazu’s thoughts drift back to Yonko, whom he is seeing for the first time in a long while. Though when he thinks about it, he realizes it’s only been about two years. But how long ago that seems now. The truth that Mitch and Hide had stumbled across was so frightening that Yonko and Kazu stopped talking, unable to look at each other or even talk on the phone. They tried to forget, since there was nothing they could do, no matter how much they wished otherwise. For two years, they tried to convince themselves:
I’ve forgotten, I’ve forgotten. All this time, enveloped in an unnatural silence. As they continued to avoid talking to each other, they hoped their connection might fade on its own. Though perhaps what they really wanted was to escape their own past.
Kazu imagines Yonko running through the city, livid.
She remebers her firend Kazu and later we find out what happened in the past
As I said, this is a book more about modern and post-war Japan than about the characters in the book and the loneliness between reality and dream, like a world that exists. At the heart of the story are two characters, Mitch and Yonko, meeting years after they were both in an orphanage. Alongside another boy called Kazu, the two boys were inseparable as kids. Something happened, and what the book does is link the past of post-war Japan and these feral children, kids of GIs and Japanese women. In the aftermath of the Fukushima disaster, the book presents the two characters facing past events in their present. What Yuko does as well is incorporate a lot of colour themes that recur in the book Orange, which in Japanese is Daidai, meaning the tree and generations. I’m not sure if this is what she meant in the book. It is one of those books, wonderfully written about a long-past tragedy, told through the eyes of a friend. Also, time spent in a dome in their youth, where they saw many things that may have been dream-like events, when they were told about there being a drowning of water and Japan vanishing.
Mitch has gone completely silent now, and there is nothing Yonko can do but hang her head and ponder what that “really bad” thing could be. The sandy mud is on her sleeves now. Her red coat grows heavier by the minute. As soon as they get to the station, she is sure her mother will yell at her for not being more careful. And then Yonko won’t be able to ask her anything at all. What were you all talking about last night, Mom, did something sad happen, she wishes she could ask. But children can’t just go around asking questions of adults— especially questions that might cross the boundaries of the innocent world that adults have constructed for them. Adults are always on guard against children, keeping them far away from their secrets.
Mitch has his own past
As I said, this is one of those books that is more about themes than characters, focusing on loss, loneliness, Japan’s distant past, and its post-war years. About growing up and always being an outsider. Having a secret. But also about the thin line between a child’s dream world and reality, and what that means now and then to those involved. As I said, this book may benefit from being familiar with her body of work a little more. This is the third book by her that I will have read. But perhaps also a little more knowledge than I have of post-war Japan and how being half-Japanese and American would have affected those born in those heady post-war years. There is the spectre of Nuclear war and also Nuclear disaster, as this was written in the aftermath and effects of the Fukushima disaster. Colour also plays a part in her writing. I was reminded of the Trois Couleurs films and the way they used colours to reflect a theme, and I think this has a similar thread running through the film. Have you read this book? What is your take on it?















